New Album: August 28th, 2020 Tomoko Omura: Branches, Vol. 1
“...Branches Vol. 1 serves to display Omura’s dynamic talents as not only a virtuosic violinist and arranger but as a truly inventive composer.”
Photo by Lauren Desberg
Outside In Music is proud to announce the August 28th release of Branches Vol. 1, the fourth album from New York-based, Japanese violinist, composer, producer and arranger Tomoko Omura. On her debut recording for Outside In Music, the Shizuoka-born artist presents a six-track collection of original compositions inspired by Japanese folktales and such, in addition to some reimagined arrangements of popular Japanese songs. Branches Vol. 1 amplifies and elaborates upon the musical and contextual ideas that the violinist first explored on her 2015 release Roots. To bring this innovative new album to fruition, Omura is joined by Jeff Miles on guitar, Glenn Zaleski on piano, Pablo Menares on bass and Jay Sawyer on drums.
Regarded by Downbeat magazine as “a leader with a fine future”, Tomoko Omura is among today’s leading voices in jazz violin. Upon its release, Roots was praised by fellow violinist Christian Howes as “a tremendous accomplishment, and undoubtedly one of the most important and creative jazz albums produced by a violinist in recent history.” While this compelling tribute to her native Japan offered unique and original arrangements of ten classic Japanese folk and popular songs, Branches Vol. 1 serves to display Omura’s dynamic talents as not only a virtuosic violinist and arranger but as a truly inventive composer. On this new album, Omura accompanies four original compositions with two rearranged tracks. Branches Vol. 1 opens with the 1944 classic gem, “Moonlight In Vermont”, originally written by John Blackburn (lyrics) and Karl Sessdorf (music). Omura pays particular attention to the lyrical structure, which interestingly follows the ancient traditional form of a Japanese haiku poem:
“Pennies in a stream
Falling leaves, a sycamore
Moonlight in Vermont”
Reminiscent of the syllabic rhythm, the arrangement is also treated with a Haiku vamp, which utilises the traditional 5-7-5 rhythmic form. While “Three Magic Charms” takes inspiration from a Japanese folktale (also known as “San mai no Ofuda”), “Revenge Of The Rabbit” which features the skilled delivery of three instrumental solos, is influenced by another Japanese folktale, “Kachi Kachi Yama”. “Return To The Moon” is another original Omura-penned composition, which reflects upon the folktale, “Princess Kaguya”, while “Konomichi” is a well-known Japanese folk song originally written by Kosaku Yamada. The lyrics are written by Hakusyu Kitahara, and are reminiscent of his journey from Japan’s northernmost point to its southernmost point.
Branches Vol. 1 follows the 2017 release of Post Bop Gypsies (Inner Circle), a contemporary jazz trio album featuring the classic Gypsy jazz instrumentation of violin, guitar and bass. Strongly informed by the jazz violin tradition, Tomoko Omura’s 2008 self-released debut album Visions, is a collection of seven dynamic original pieces, each of which is dedicated to one of the greats of the instrument, from Stuff Smith to Zbigniew Seifert. Violinist Matt Glaser praises Visions as such: “Her playing here is uniformly amazing, with great ideas, great tone, perfect intonation and great feel…”. “Mark’s Passion”, dedicated to Mark Feldman, was awarded an Honorable Mention in the 2008 International Songwriting Competition. The release of Visions also prompted Strings Magazine to name Omura a “Rising Star” in 2009. In 2014, she was chosen as a semi finalist of the inaugural International Zbigniew Seifert Jazz Violin Competition in Krakow, Poland. Through 2015-2019, she has been named a “Rising Star” in Downbeat magazine’s prestigious Critic’s Poll.
Originally from Shizuoka, Japan, Omura began studying the violin at a young age with her mother, and began playing jazz music while studying at Yokohama National University. In 2004, Tomoko relocated to the United States when she was awarded a scholarship to study at Berklee College of Music in Boston, MA. While at Berklee, Tomoko worked with such legendary musicians as George Garzone, Hal Crook, Ed Tomassi, Jamey Haddad, Matt Glaser and Rob Thomas. In 2005, during her sophomore year, she was awarded Berklee’s prestigious Roy Haynes Award; an award given to one student for their exceptional improvisational skills. Tomoko was the first violinist in Berklee’s history to receive this award. She graduated summa cum laude in 2007.
Since moving to NY in 2010, Tomoko has performed with a wide range of musicians including Fabian Almazan, Paquito D’Rivera, Camila Meza, Aubrey Johnson, Annie Chen, Tammy Scheffer, Joanna Wallfisch, Carolina Calvache, Mario Castro, Vadim Neselovskyi, Daniel Foose, Simon Yu’s Exotic Experiment and The Mahavishnu Project. She has previously been a full time member of world music band, The Guy Mendilow Ensemble, Celtic music band, RUNA and the vintage jazz band, Carte Blanche.
